Acceptability and Feasibility of Perioperative Music Listening: A Rapid Qualitative Inquiry Approach.
Identifieur interne : 000374 ( Main/Exploration ); précédent : 000373; suivant : 000375Acceptability and Feasibility of Perioperative Music Listening: A Rapid Qualitative Inquiry Approach.
Auteurs : Breanna A. Polascik [États-Unis] ; Daryl Jian An Tan [Singapour] ; Karthik Raghunathan [États-Unis] ; Hwei Min Kee [Singapour] ; Amanda Lee [Singapour] ; Ban Leong Sng [Singapour] ; Charles M. Belden [États-Unis]Source :
- Journal of music therapy [ 2053-7395 ] ; 2020.
Abstract
Perioperative music decreases pain, anxiety, and analgesia requirements while increasing patient satisfaction. We investigated the acceptability of perioperative music at a women's and children's hospital in Singapore, seeking to uncover barriers and facilitators to implementation in routine practice over a 12-week period. We used an undergraduate-led Rapid Qualitative Inquiry approach that includes data collection from multiple sources, iterative analysis, and additional data collection when necessary. Participants consisted of anesthesiologists and nurses working in the preoperative area, operating room, and postoperative recovery areas. In Stage 1, nurses and anesthesiologists answered a survey assessing attitudes and knowledge about perioperative music and attended a presentation introducing the intervention. In Stage 2, the results of the Stage 1 survey were disclosed, and nurses and anesthesiologists completed a second survey (Stage 1 survey questions with an additional query about implementation). Twenty-nine nurses were interviewed with semi-structured questions on barriers and facilitators to implementation. In Stage 3, nurses retook the Stage 2 survey after one month of implementation. The implementation of perioperative music was both acceptable and feasible in Singapore. The nurses' and anesthesiologists' acceptability increased over time with mostly positive qualitative feedback. Implementation barriers, including patient interest, timing of patient turnover, and added staff workload, appeared minor and could potentially be overcome by utilizing the intervention in the preoperative instead of postoperative area, deploying music in operating rooms with slower turnover, and evenly distributing staff workload. Local implementation stakeholders may make additional recommendations for scaling-up perioperative music interventions to fit other workflows while improving the patient experience.
DOI: 10.1093/jmt/thaa014
PubMed: 32895698
Affiliations:
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We investigated the acceptability of perioperative music at a women's and children's hospital in Singapore, seeking to uncover barriers and facilitators to implementation in routine practice over a 12-week period. We used an undergraduate-led Rapid Qualitative Inquiry approach that includes data collection from multiple sources, iterative analysis, and additional data collection when necessary. Participants consisted of anesthesiologists and nurses working in the preoperative area, operating room, and postoperative recovery areas. In Stage 1, nurses and anesthesiologists answered a survey assessing attitudes and knowledge about perioperative music and attended a presentation introducing the intervention. In Stage 2, the results of the Stage 1 survey were disclosed, and nurses and anesthesiologists completed a second survey (Stage 1 survey questions with an additional query about implementation). Twenty-nine nurses were interviewed with semi-structured questions on barriers and facilitators to implementation. In Stage 3, nurses retook the Stage 2 survey after one month of implementation. The implementation of perioperative music was both acceptable and feasible in Singapore. The nurses' and anesthesiologists' acceptability increased over time with mostly positive qualitative feedback. Implementation barriers, including patient interest, timing of patient turnover, and added staff workload, appeared minor and could potentially be overcome by utilizing the intervention in the preoperative instead of postoperative area, deploying music in operating rooms with slower turnover, and evenly distributing staff workload. Local implementation stakeholders may make additional recommendations for scaling-up perioperative music interventions to fit other workflows while improving the patient experience.</div></front></TEI><pubmed><MedlineCitation Status="Publisher" Owner="NLM"><PMID Version="1">32895698</PMID><DateRevised><Year>2020</Year><Month>09</Month><Day>08</Day></DateRevised><Article PubModel="Print-Electronic"><Journal><ISSN IssnType="Electronic">2053-7395</ISSN><JournalIssue CitedMedium="Internet"><PubDate><Year>2020</Year><Month>Sep</Month><Day>08</Day></PubDate></JournalIssue><Title>Journal of music therapy</Title><ISOAbbreviation>J Music Ther</ISOAbbreviation></Journal><ArticleTitle>Acceptability and Feasibility of Perioperative Music Listening: A Rapid Qualitative Inquiry Approach.</ArticleTitle><ELocationID EIdType="pii" ValidYN="Y">thaa014</ELocationID><ELocationID EIdType="doi" ValidYN="Y">10.1093/jmt/thaa014</ELocationID><Abstract><AbstractText>Perioperative music decreases pain, anxiety, and analgesia requirements while increasing patient satisfaction. We investigated the acceptability of perioperative music at a women's and children's hospital in Singapore, seeking to uncover barriers and facilitators to implementation in routine practice over a 12-week period. We used an undergraduate-led Rapid Qualitative Inquiry approach that includes data collection from multiple sources, iterative analysis, and additional data collection when necessary. Participants consisted of anesthesiologists and nurses working in the preoperative area, operating room, and postoperative recovery areas. In Stage 1, nurses and anesthesiologists answered a survey assessing attitudes and knowledge about perioperative music and attended a presentation introducing the intervention. In Stage 2, the results of the Stage 1 survey were disclosed, and nurses and anesthesiologists completed a second survey (Stage 1 survey questions with an additional query about implementation). Twenty-nine nurses were interviewed with semi-structured questions on barriers and facilitators to implementation. In Stage 3, nurses retook the Stage 2 survey after one month of implementation. The implementation of perioperative music was both acceptable and feasible in Singapore. The nurses' and anesthesiologists' acceptability increased over time with mostly positive qualitative feedback. Implementation barriers, including patient interest, timing of patient turnover, and added staff workload, appeared minor and could potentially be overcome by utilizing the intervention in the preoperative instead of postoperative area, deploying music in operating rooms with slower turnover, and evenly distributing staff workload. Local implementation stakeholders may make additional recommendations for scaling-up perioperative music interventions to fit other workflows while improving the patient experience.</AbstractText><CopyrightInformation>© The Author(s) 2020. Published by Oxford University Press on behalf of American Music Therapy Association. All rights reserved. For permissions, please e-mail: journals.permissions@oup.com.</CopyrightInformation></Abstract><AuthorList CompleteYN="Y"><Author ValidYN="Y"><LastName>Polascik</LastName><ForeName>Breanna A</ForeName><Initials>BA</Initials><AffiliationInfo><Affiliation>Duke University, Durham, NC, USA.</Affiliation></AffiliationInfo></Author><Author ValidYN="Y"><LastName>Tan</LastName><ForeName>Daryl Jian An</ForeName><Initials>DJA</Initials><AffiliationInfo><Affiliation>Duke-NUS Medical School, Singapore, Singapore.</Affiliation></AffiliationInfo></Author><Author ValidYN="Y"><LastName>Raghunathan</LastName><ForeName>Karthik</ForeName><Initials>K</Initials><AffiliationInfo><Affiliation>Duke University, Durham, NC, USA.</Affiliation></AffiliationInfo><AffiliationInfo><Affiliation>Durham Veterans Affairs Medical Center, Durham, NC, USA.</Affiliation></AffiliationInfo></Author><Author ValidYN="Y"><LastName>Kee</LastName><ForeName>Hwei Min</ForeName><Initials>HM</Initials><AffiliationInfo><Affiliation>KK Women's and Children's Hospital, Singapore, Singapore.</Affiliation></AffiliationInfo></Author><Author ValidYN="Y"><LastName>Lee</LastName><ForeName>Amanda</ForeName><Initials>A</Initials><AffiliationInfo><Affiliation>KK Women's and Children's Hospital, Singapore, Singapore.</Affiliation></AffiliationInfo></Author><Author ValidYN="Y"><LastName>Sng</LastName><ForeName>Ban Leong</ForeName><Initials>BL</Initials><AffiliationInfo><Affiliation>KK Women's and Children's Hospital, Singapore, Singapore.</Affiliation></AffiliationInfo></Author><Author ValidYN="Y"><LastName>Belden</LastName><ForeName>Charles M</ForeName><Initials>CM</Initials><AffiliationInfo><Affiliation>Duke University, Durham, NC, USA.</Affiliation></AffiliationInfo><AffiliationInfo><Affiliation>Durham Veterans Affairs Medical Center, Durham, NC, USA.</Affiliation></AffiliationInfo></Author></AuthorList><Language>eng</Language><PublicationTypeList><PublicationType UI="D016428">Journal Article</PublicationType></PublicationTypeList><ArticleDate DateType="Electronic"><Year>2020</Year><Month>09</Month><Day>08</Day></ArticleDate></Article><MedlineJournalInfo><Country>England</Country><MedlineTA>J Music Ther</MedlineTA><NlmUniqueID>0014162</NlmUniqueID><ISSNLinking>0022-2917</ISSNLinking></MedlineJournalInfo><CitationSubset>IM</CitationSubset><KeywordList Owner="NOTNLM"><Keyword MajorTopicYN="N">acceptability
</Keyword><Keyword MajorTopicYN="N">anesthesiology
</Keyword><Keyword MajorTopicYN="N">implementation
</Keyword><Keyword MajorTopicYN="N">music medicine
</Keyword><Keyword MajorTopicYN="N">music therapy
</Keyword></KeywordList></MedlineCitation><PubmedData><History><PubMedPubDate PubStatus="entrez"><Year>2020</Year><Month>9</Month><Day>8</Day><Hour>5</Hour><Minute>24</Minute></PubMedPubDate><PubMedPubDate PubStatus="pubmed"><Year>2020</Year><Month>9</Month><Day>9</Day><Hour>6</Hour><Minute>0</Minute></PubMedPubDate><PubMedPubDate PubStatus="medline"><Year>2020</Year><Month>9</Month><Day>9</Day><Hour>6</Hour><Minute>0</Minute></PubMedPubDate></History><PublicationStatus>aheadofprint</PublicationStatus><ArticleIdList><ArticleId IdType="pubmed">32895698</ArticleId><ArticleId IdType="pii">5902640</ArticleId><ArticleId IdType="doi">10.1093/jmt/thaa014</ArticleId></ArticleIdList></PubmedData></pubmed><affiliations><list><country><li>Singapour</li><li>États-Unis</li></country><region><li>Caroline du Nord</li></region></list><tree><country name="États-Unis"><region name="Caroline du Nord"><name sortKey="Polascik, Breanna A" sort="Polascik, Breanna A" uniqKey="Polascik B" first="Breanna A" last="Polascik">Breanna A. Polascik</name></region><name sortKey="Belden, Charles M" sort="Belden, Charles M" uniqKey="Belden C" first="Charles M" last="Belden">Charles M. Belden</name><name sortKey="Belden, Charles M" sort="Belden, Charles M" uniqKey="Belden C" first="Charles M" last="Belden">Charles M. Belden</name><name sortKey="Raghunathan, Karthik" sort="Raghunathan, Karthik" uniqKey="Raghunathan K" first="Karthik" last="Raghunathan">Karthik Raghunathan</name><name sortKey="Raghunathan, Karthik" sort="Raghunathan, Karthik" uniqKey="Raghunathan K" first="Karthik" last="Raghunathan">Karthik Raghunathan</name></country><country name="Singapour"><noRegion><name sortKey="Tan, Daryl Jian An" sort="Tan, Daryl Jian An" uniqKey="Tan D" first="Daryl Jian An" last="Tan">Daryl Jian An Tan</name></noRegion><name sortKey="Kee, Hwei Min" sort="Kee, Hwei Min" uniqKey="Kee H" first="Hwei Min" last="Kee">Hwei Min Kee</name><name sortKey="Lee, Amanda" sort="Lee, Amanda" uniqKey="Lee A" first="Amanda" last="Lee">Amanda Lee</name><name sortKey="Sng, Ban Leong" sort="Sng, Ban Leong" uniqKey="Sng B" first="Ban Leong" last="Sng">Ban Leong Sng</name></country></tree></affiliations></record>Pour manipuler ce document sous Unix (Dilib)
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